Films on Tรซnk

Watch here a program that brings together 3 films by Pasolini in conversation with three contemporary documentaries!

First d๐—ถ๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ:

โ€ขโ€ข ๐‘ต๐’๐’•๐’†๐’” ๐‘ป๐’๐’˜๐’‚๐’“๐’…๐’” ๐’‚๐’ ๐‘จ๐’‡๐’“๐’Š๐’„๐’‚๐’ ๐‘ถ๐’“๐’†๐’”๐’•๐’†๐’” (Pier Paolo Pasolini, 1970) – Pier Paolo Pasolini has a project for a film adaptation of Aeschylus Orestia. He travels through Uganda and Tanzania in search of people who could convincingly play the characters of the Greek tragedy.

โ€ขโ€ข ๐‘ฟ๐’‚๐’‚๐’“ ๐’€๐’‚๐’๐’๐’‚ฬ€ (Mamadou Khouma Gueye, 2021)- The seas advances on the city of Saint Louis of which certain districts, enclosed between the sea and the river, risk disappearing.

Second ๐—ฑ๐—ถ๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ:

โ€ขโ€ข ๐‘ป๐’‰๐’† ๐’‘๐’‚๐’‘๐’†๐’“ ๐’‡๐’๐’๐’˜๐’†๐’“ ๐’”๐’†๐’’๐’–๐’†๐’๐’„๐’† (Pier Paolo Pasolini, 1969) – A man walks through the streets of Rome, while images of wars, genocides, social protests around the world are superimposed on his carefree walk.

โ€ขโ€ข ๐‘ฐ๐’๐’”๐’–๐’“๐’ˆ๐’†๐’๐’„๐’† (Groupe ร‰popรฉe, 2013) – A documentary about the vast political mobilization that took place in Quebec during the spring of 2012. Initially propelled by the student strike for accessible education, the scope of the movement soon broadened to a larger revolutionary.

๐—ง๐—ฟ๐—ผ๐—ถ๐˜€๐—ถ๐—ฒฬ€๐—บ๐—ฒ ๐—ฑ๐—ถ๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ:

โ€ขโ€ข ๐‘ณ๐’‚ ๐‘น๐’‚๐’ƒ๐’ƒ๐’Š๐’‚ ๐’…๐’Š ๐‘ท๐’‚๐’”๐’๐’๐’Š๐’๐’Š (Giuseppe Bertolucci and Pier Paolo Pasolini, 2008) – An attempt to reconstruct Pasoliniโ€™s segment of the filmย La Rabbiaย (1963), a documentary made of news footage accompanied by a harsh critique in voice-off.

โ€ขโ€ข ๐‘พ๐’† ๐‘จ๐’“๐’† ๐‘ฉ๐’†๐’„๐’๐’Ž๐’† ๐‘ซ๐’†๐’‚๐’•๐’‰ (Jean-Gabriel Pรฉriot, 2014) – We knew the world wasnโ€™t the same anymore. Some laughed. Others cried. Most stayed silent.