Watch here a program that brings together 3 films by Pasolini in conversation with three contemporary documentaries!
First d๐ถ๐ฎ๐น๐ผ๐ด๐๐ฒ:
โขโข ๐ต๐๐๐๐ ๐ป๐๐๐๐๐ ๐ ๐๐ ๐จ๐๐๐๐๐๐ ๐ถ๐๐๐๐๐๐ (Pier Paolo Pasolini, 1970) – Pier Paolo Pasolini has a project for a film adaptation of Aeschylus Orestia. He travels through Uganda and Tanzania in search of people who could convincingly play the characters of the Greek tragedy.
โขโข ๐ฟ๐๐๐ ๐๐๐๐๐ฬ (Mamadou Khouma Gueye, 2021)- The seas advances on the city of Saint Louis of which certain districts, enclosed between the sea and the river, risk disappearing.
Second ๐ฑ๐ถ๐ฎ๐น๐ผ๐ด๐๐ฒ:
โขโข ๐ป๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ (Pier Paolo Pasolini, 1969) – A man walks through the streets of Rome, while images of wars, genocides, social protests around the world are superimposed on his carefree walk.
โขโข ๐ฐ๐๐๐๐๐๐๐๐๐ (Groupe รpopรฉe, 2013) – A documentary about the vast political mobilization that took place in Quebec during the spring of 2012. Initially propelled by the student strike for accessible education, the scope of the movement soon broadened to a larger revolutionary.
๐ง๐ฟ๐ผ๐ถ๐๐ถ๐ฒฬ๐บ๐ฒ ๐ฑ๐ถ๐ฎ๐น๐ผ๐ด๐๐ฒ:
โขโข ๐ณ๐ ๐น๐๐๐๐๐ ๐ ๐ ๐ท๐๐๐๐๐๐๐ (Giuseppe Bertolucci and Pier Paolo Pasolini, 2008) – An attempt to reconstruct Pasoliniโs segment of the filmย La Rabbiaย (1963), a documentary made of news footage accompanied by a harsh critique in voice-off.
โขโข ๐พ๐ ๐จ๐๐ ๐ฉ๐๐๐๐๐ ๐ซ๐๐๐๐ (Jean-Gabriel Pรฉriot, 2014) – We knew the world wasnโt the same anymore. Some laughed. Others cried. Most stayed silent.