Wednesday, September 28th
Welcoming address with Annie Gérin (Dean of Fine Arts, Concordia University)
2 p.m.-5 p.m. Queering Pasolini: Three Artists discuss their PPP films (Chair: Luca Caminati, Concordia University) @ 4th SPACE, Concordia University
- Cathy Lee Crane (Ithaca College) “An Unfinished Allegory (chapters from Petrolio)”
- John Di Stefano (Concordia University) “Mining Pasolini: Contemporary Art Strategies in The Pasolini Project (1990-2022)”
- Frederic Moffet (Art Institute, Chicago) “Contamination: Pasolini Meets Burroughs in Fever Freaks”
6 p.m @ Istituto Italiano di Cultura
- Welcoming address (Director Sandro Cappelli)
Thursday, September 29th @ UQAM (J-S1430)
9 a.m. Registration
9:30 a.m. – 11:15 a.m. Archives futures anterieur(e)s (Chair: Viva Paci, UQAM)
- Roberto Chiesi (Archivio Pasolini) « Les Appunti filmiques de Pasolini: le cinéma comme un éventail de formes possibles »
- Marco Bertozzi (Università IUAV di Venezia) « Foudre à Paris. Pasolini, l’archive et les images brûlantes de Fascista (Nico Naldini, 1974) »
- Raed Rafei (UC Santa Cruz) “Queering the Archive: a Speculative Account of Pasolini’s Visit to Beirut”
11:15 a.m – 12 p.m. Artist Talk (Chair: Stéfany Boisvert, UQAM)
- Luciana Fina (Artiste cinéaste, Lisbonne) « Ninetto arrive dans l’antre du diable »
12 p.m. – 2:15 p.m. Lunch break
2:15 p.m. – 4:45 p.m. Traversées intermédiales (Chair: Marion Froger, UdeM )
- Silvia Cucchi (Università dell’Aquila) « C’est lui mon antagoniste : Pier Paolo Pasolini dans l’écriture de Walter Siti »
- Riccardo Antoniani (Sorbonne Université) « Pasolini et l’enfer des vivants »
- Giuliana Minghelli (Chercheure indépendente, Boston) « Photography and Anger in Pier Paolo Pasolini »
- Cécile Sorin (Université Paris 8) « Pasolini, aux sources des trois écologies ? »
4:45 p.m. – 5 p.m. Coffee break
5 p.m. – 5:45 p.m. Artist Talk (Chair: Michelle Stewart, UQAM)
- Mamadou Khouma Gueye (Artiste cinéaste, Dakar) « Bidewou xaam xaam / Étoile savante »
5:45 p.m. – 6:30 p.m.: Closing remarks
- Silvestra Mariniello (UdeM)
Friday, September 30th @ Concordia University (De Sève Cinema – LB 125)
9 a.m. Registration
9:30 a.m. – 12:45 p.m. Morning session (Chair: Rosanna Maule, Concordia University)
- Alessandro Brunazzo (University of Oslo) “Queering the Meta: Derek Jarman’s PPP in the Garden of the Earthly Delights“
- Tom Waugh (Concordia University) “Queer Teorema”
- 11 a.m. – 11:15 a.m. Coffee break
- Gian Maria Annovi (University of Southern California) “Pasolini’s Legacy in Southeast Asia: the Case of James Lee’s Room to Let”
- Ara Merijan (New York University) “Hieratic Empiricism”
12:45 p.m – 2:15 p.m. Lunch break
2:15 p.m. – 5:30 p.m. Afternoon session (Chair: Ishita Tiwary, Concordia University)
- Gaia Giuliani (Centre for Social Studies – University of Coimbra) “PPP and the Decolonizing/Postcolonial Subaltern: for a Postcolonial Critique”
- Peter Limbrick (University of California Santa Cruz) “Pasolini in Morocco: Cinematic Space and the Poetics and Politics of the Reprise.”
- 3:45 p.m. – 4 p.m. Coffee break
- Luca Peretti (University of Warwick) and Karen T. Raizen (Bard College) “Pasolini and Cancel Culture”
- Toni Hildebrandt (Bern University) and Giovanbattista Tusa (Nova Institute of Philosophy) PPPP: Pier Paolo Pasolini Philosopher – Book launch
Screenings at Cinémathèque québécoise
6:15 p.m. Accattone (Pier Paolo Pasolini, 1961, Italy)
9 p.m. Atlantide (Yuri Ancarani, 2021, Italy) with Yuri Ancarani
Saturday, October 1st @ St. Paul University, Ottawa (Multipurpose Room)
12 p.m. – 1 p.m. Lunch and Welcoming address with Benedetto Reitano, Head of the Cultural Section at the Italian Embassy in Ottawa
1 p.m. – 2 p. m. Omaggio a Cecilia Mangini (Chair: Julie Paquette, Université Saint-Paul)
- Anne-Violaine Houcke (Université Paris Nanterre) «Cecilia Mangini: Partir de Pasolini»
2 p.m. – 3:15 p.m. Artist talks (Chair: Aurélie Lacassagne, Université Saint-Paul)
- Helen Doyle (Filmmaker, Quebec) « Pasolini, mon amour Hommage à Letizia Battaglia 1935-2022 »
- Simon Belleau (Université Concordia) « Ébauche de Scénario pour un film sur Saint-Paul (sous formes de notes destinées à un directeur de production) »
- Montse Sanesteban (Lycée Artistique Oriol Martorell, Barcelone) « Le désir d’innocence et le désir de révolte dans l’œuvre cinématographique d’Albert Serra et l’héritage de Pier Paolo Pasolini dans Liberté, 2019 »
3:15 p.m – 3:30 p.m. Coffee break
3:30 p.m. – 5 p.m. p.m. 1. PPP : l’archaïc et le religieux (Chair: Florian Grandena, University of Ottawa)
- Damiano Garofalo (Università La Sapienza) “The Reception of Pasolini’s Gospel in the US”
- Julie Paquette (Université Saint-Paul) « Notes pour une conférence sur Pasolini en Cassandre »
- Federica Di Blasio (Hamilton College) “A Retake of Pasolini’s Universalism.”
5 p.m. – 5:15 p.m. Coffee break
5:15 p.m. – 6 p.m. Closing Keynote Address (Chair: Caroline Bem, St. Paul University)
- Hervé Joubert-Laurencin (Paris Nanterre and IUF) «Les images biscuites ou La ricotta comme théorie de la reprise»
6 p.m. – 7:30 p.m. Book launch with Wine&Cheese sponsored by the Italian Embassy in Ottawa
- Marco Bertozzi, L’Italia di Fellini, Immagini, paesaggi, forme di vita, Marilio, 2021
- Anne-Violaine Houcke, L’Antiquité n’a jamais existé: Fellini et Pasolini archéologues, Rennes, Presses Universitaires de Rennes, 2022
- Hervé Joubert-Laurencin, Le grand chant, Pasolini Poète et cinéaste, Éditions Macula, 2022